Tell the Universe What You Want

LokiSaysIShouldBeWritingWriters are by far the hardest-on-themselves group of people I’ve had the privilege of knowing, myself included.  We expect so much out of ourselves, especially in regards to our work.  Not only do we struggle to create (and are we ever truly happy?), we also criticize ourselves for not writing enough, we suffer from a plethora of fears; rejection, the blank page, another rewrite, completion, even success, and then we must endure at least a hundred plus other steps in order to succeed as professional writers.  There are dozens of avenues to explore, and we try them all in the hopes of finding the right one.  And people wonder why we’re “special”…or have the audacity to think it’s easy and that everyone can do it, or that all we do is daydream…these and other ideas like them fall into the realm of “writer’s pet peeves”.

So back to the topic at hand, the recent opportunity I was thinking about and mentioned on Monday – volunteering at the Los Angeles Film Festival by Film Independent.  They also put on the Independent Spirit Awards, so I thought it might be a great way to meet people and network, but when you’re a volunteer, you’re not really allowed to do that.  And then a few things popped up and made it a near impossibility to work the event at all, so I’m striking it off the list and moving forward…but to where?  I was discovering quickly that this year was going to pass me by without any real progress.  That was a devastating realization.

I believe that when you voice your desires aloud, that’s when things start happening.  Obviously we still have to work at it, but making the bold declaration, writing down our goals, and putting them out into the universe help to solidify them in our mind.  They aren’t just these dreams we have, but fully realized goals we can move forward to achieve.  What I needed was a new plan.  Great.  Something else to divert my attention from writing.

So the following night when I was talking to my sister’s boss and she asked what she could do to help me with my career, I told her.  I put it out there.  She and her husband both work with and know lots of people that could help me (including some of the biggest names that would pretty much make me pee my pants if I found myself in the same room with them), but in my mind I had drawn a line.  They are my sister’s bosses and therefore should almost be off limits, that is, unless they offer.  Growing up, we were instilled with this idea of doing things on our own, not relying on others, and making our own way (which I clearly can not do as a screenwriter).  Call it pride or stubbornness or stupidity (which is what my sister’s boss called it), but I got a very quick lesson in asking those who are capable and willing for help.  Bottom line is I’m meeting with them in the next few weeks in order to advance my career.

So I will now voice my desires; my next goal – have my portfolio ready when I meet with those who have offered me help.  Oh, gracious universe, please be kind and let the words flow from my mind to my fingertips without much stumbling.  Please allow my mind to grasp all the elements I need in order to finalize my rewrite…*fingers crossed.  A little forewarning, I may be a little absent as a result, because I have quite a bit of work ahead of me.

So go on, tell the universe what it is you want.  Good Luck!

*And by now you should know, if I can, I will include a picture of either Tom Hiddleston or Benedict Cumberbatch.  So you’ll always have that to look forward to. 😉

What I Learned During My Day At The Zoo

CharacterStreetSignThe zoo.  Harmless enough of an outing…a complete lesson in character.  I always wanted kids, but the older I get the less I do, and during this outing I felt my ovaries dry up.

So first off, let me say this, I know parenting is difficult, and this is not meant to be an essay on child rearing, but I have to get this off my chest.  I was surprised to find numerous children screaming at animals, pounding on the glass partitions, and throwing things into the enclosures at the animals (there are even signs posted of things not to do because this is clearly an issue), and parents or supervising adults taking long periods of time to notice or say anything at all.  When I heard children talk back to not only their parents and teachers but to strangers, I cringed.  There was no instruction given, at least at the time, as to why that behavior might be unacceptable.  There was no insight given that if you were in the wild and did that to these creatures, they would eat your face.  But, then I would notice other children standing in awe of the animals, waving at other kids, being helpful, or staring aghast at those misbehaving, and think, well, all is not lost.

As there was a great cross-section of society gathered that day, it was not only a lesson in character, but society and expectations, and the differences between cultures, and it got me thinking.  Not only did I think about character, but also a story idea that the humans walking around were actually the exhibit with the animals watching them.  I could only imagine what they were thinking.

As writers, we usually pay attention to the things around us more than most in order to store it all away to use later in our writing.  Whether our characters fall into the categories of good or bad, hero, anti-hero, rogue, or villain, we want them to be, and they must be likeable.  And I don’t mean we’d want to be friends with them exactly, but there must be something about them we love to hate, or hate to love, something that draws us in.  I’ve talked about this before, those characters that are compelling to watch; the Lokis, the Sherlocks, and the Hannibals – responsible for a little chaos but we love them anyway.  The facets that make up an interesting character are never prevalent in one person we actually know.  They are amalgamations.  The characters we love are bigger than life, are more complex and interesting than available in reality, and some of them we would definitely not want to be friends with, but do want to watch do things.

CharacterQuote

I understand that kids are kids, and hopefully, most of them will grow out of some of those less than acceptable behaviors, but I gained a little insight while watching them – I was reminded that in order make our characters more interesting, we have to know more about them in order to flesh them out, whether we use it in the writing or not.  We need to know the childhoods of our characters, the type of kids they might have been.  Most of the time, it’s those early days that influence the people we become.  Most creatives have had difficult childhoods, endured bullying, and overcome a variety of obstacles, a reason they choose to express themselves creatively whether through writing, song, art, comedy…We need to take into consideration where our characters are from, the religious and cultural impact on their lives, the types of parents they had, their social standing, their education, and what type of friends they had – all of these make a character more complete.  All of these factors then help you understand how your character will respond in any given situation; their dialogue, how they handle stress, relationships, confrontation, etc.

I’ve read that a helpful trick to get to know your character better could be something like going on a date or interviewing the character.  What are the things you like to know about someone you’ve just started dating?  What questions would you ask someone you were interviewing to understand them better?  One of the first questions is always, “So where did you grow up?”  It tells you a lot about someone right off the bat.  And this is another way to give your character a unique voice.  I’ve heard it many times that writing dialogue is complicated, even though we all talk everyday, but writing it down is a much more difficult feat; there is nuance and subtext.  So if we know more about who are characters are, then that might make our writing flow that much easier.  And who doesn’t want that?!

On a side note, I hope you all are doing well!  I’ve noticed a lot of fellow bloggers have been struggling, so maybe this writing trick will be a fun exercise and a way to get out of your head.  Have a great week everyone and keep up the good work!

What I Learned Last Night At My Writer’s Group

UnhappyIconGracious.  Last night, for the first time, I read some of my work to the group; a few pages of the script I’m thinking of adapting into a tv series.  I’ve been attending this particular writer’s group since January, and some of the members have become friends, so I was completely taken by surprise at the level of anxiety that overtook me when I started to read.  I haven’t been that nervous since the first time I had my work read aloud in college, many moons ago, which I did eventually get over.  Obviously, it’s been in hiding.  The quivering voice that made me more and more self conscious as I continued to read, the spastic hand that made it difficult to scroll, reiterated to me why writers drink.  Our group leader brings wine for everyone each week, but last night I did not partake…I really should have.  I got positive feedback, so that felt good, but I felt stupid that at this point in my life, I couldn’t control the nervousness.  I was surprised they were even able to pay attention to the words beyond the trembling.

This unsettled me.  If I had this level of anxiety among people I knew, how would I be able to pitch and sell my stories to strangers?

I used to wait tables and bartend.  Talking to strangers comes easily, but talking about myself and my work on a bigger scale is clearly a hurdle I will have to overcome.  I was thinking back to my first days as a server.  I was nervous, but nothing like what I experienced last night.  I became a pretty good server, often asked to wait on special guests at the restaurants I worked in…I would have to remember those principles I once implemented as a server; being friendly, professional, confident.

I would also have to practice.  As I had been able to get over the anxiety in school through repeated exposure, I would have to do the same thing at the writer’s group.  I mean, I am to blame for not getting myself and my work out there more.  I’ve been attending the group for 6 months and I just shared my work?!  Geez.  So I came to the conclusion that I would have to read, and read, and read some more.  I would have to get comfortable being vulnerable again.  I’m not sure if it was the judgement I feared or what exactly, but I was reminded of a particular quote when I got home –

Your work is not you.

If anyone has any advice to offer on the subject, please share!

On a side note, I wrote about 700 words of some Dragon Age fan fiction…

I’m sending out positive vibes today!  Best wishes!

 

What I Learned At My Last Networking Event

TVblueLast week I attended a networking event with a manager/producer guest speaker who said outright that screenwriters should focus on television.  The television market is where it’s at, which is obvious with all the new original programming options at Netflix, Hulu, and Amazon, among others.  Movie attendance is down, so the studios are mainly looking for projects with a built in audience.  Hence all the superhero movies, remakes, and those based on novels.

I wept a little inside.  My screenplay, the one I’ve been struggling to rewrite, the one I wanted to use as my calling card, I could see was about to fall into the realm of obsolete.  The advice given was to create two original pilots.  Gracious.  The one area I’ve been struggling in, and now I needed to create two different shows?!  I barely had a viable concept for one.  And what was worse, I had to write them.  I couldn’t just have a fleshed out idea that I could pitch.  There’s that pang in my chest again, even knowing what I do now, writing this out causes a twinge of anxiety, again.  I left the event a little deflated but thankful for some honest advice from someone active in the film community.  As writers, isolated, no matter how much we read or discover about the business, until we’re on the inside, we don’t know what’s really going on.

When I got home, I started looking through my half-baked ideas, and the gravity of the situation started to sink in.  I have been working on my portfolio, trying to get all my ducks in a row, and I thought I only needed ONE tv pilot or web series idea, not a whole script.  I started to bounce around some ideas, and thought I had come up with a couple of fairly solid ones, until my sister enlightened me.  My fifth screenplay, Projection, influenced by the likes of La Femme Nikita, Buffy the Vampire Slayer, and Alias, could definitely work as a tv show.  And the bonus, it would only need a little reworking as I had already written about 50 pgs.  I know the characters, I know where I want the story to go (at least for a season or two), and who wouldn’t like to watch a female spy with special powers kick ass?!

One down.

So there you go, fellow screenwriters.  A little advice from the field.  I started following a few writers, a screenwriting career coach, and the editor of Script Magazine on Twitter, so I’ll hopefully have some more solid advice to share in the near future.

Happy Sunday!

Caution: A Fairly Happy But Ranty Writer Ahead

Happy Wednesday!

BrecilianForestCave

Here’s a little update:

Last week I received my first link to a story inspired by one of my writing prompts.  I was so excited!  Please give the wonderfully vivid Things Best Left Forgotten by redgypsophila a read and offer feedback, and let’s start building! 🙂

Moving forward, I’ve started to have a few ideas of what I’d like to do in order to “build” this community.  I’ve felt a little brain dead the last few days though, so it may be slow going.  I blame all the new social media outlets I’ve been exploring.

I joined Twitter (my handle is @RachaelCMarek).  Now that I’ve (slightly) got my bearings…I’d like to use this specifically as a resource, so if you have any tips on how to use it wisely, or can suggest people to follow that might be beneficial to writers, please, please, please share in the comments.

Then I signed up for Tumblr.  I didn’t realize it was another blog, so that one will probably fade into obscurity, but I wasted a whole lot of time the other day…

I added a link to my YouTube page that I’m trying to build with the writer in mind.  I’m trying to create “music to write to” playlists.  This will be a work in progress, but if you’re like me and like to write to music, you may find a few new things.

And as if you needed one more thing, I saw a post about a blogging resource called Quora.  This link is the article via The Write Life.  Is anyone using this yet?  Is it worth it?

Is all this other nonsense really required to be a writer…??  Facebook, Twitter, LinkedIn, Tumblr, Instagram, Pinterest, blah blah blah.  Now don’t get me wrong, I enjoy some of these services (some much more than others); it’s a way for me to stay connected, keep in the know, learn new things, etc, but A) It’s too time consuming to maintain so many outlets. B) It’s too easy to waste inordinate amounts of time. And C) Why?  This is not how it used to be, not even a couple of years ago.  Yes, there are hints of bitterness laced with mind-numbing exhaustion.  I take full responsibility for time wasted the last couple of weeks.

As for actual writing…I spoke to some of my new writer friends who helped me gain some perspective.  I decided against the massive rewrite, as it would change the story completely, and am going to try to find the issue in Act I that is affecting Act III.  I have been all over the place with this, and this might be one reason I’ve started to mentally check out.  So wish me luck.

Wishing you all a productive rest of the week!

The Value Of A Writing Community

EmoticonsShakingHandsI always thought it would be good to have writer friends, but as writing is a (mostly) solitary pursuit, and as we tend to be introverts, finding other writers, especially those whose opinions I could trust, seemed like a fruitless and futile pursuit.  This is not meant to be a slight, by any means, but a testament to my own shortcomings of maintaining relationships (even with those I already consider my friends).  So trying to find new ones with specific traits, well, felt like it might be a challenge.

I have many acquaintances – those people you meet through work who become your Facebook friends even long after you’ve changed jobs, who you’ve never seen again, probably never will, and might not even recognize years later…you know the ones, we all have ’em.

But, building a circle, that’s a different type of beast to tame.  When I was living in Arizona, I was fortunate enough to meet a unique person, a fellow geek, who included me and my sister in his circle.  It was one of those inspired moments, when you realize you’ve met a kindred spirit.  Unfortunately, we moved away.  His wife and I maintain our friendship via Facebook through our mutual love of all things Whedon, Cumberbatch, and other geek related passions.  So that’s good for me when I want to geek out, which is all the time, but they aren’t writers.

Making “real” friends gets a bit more difficult with age.  For those of you too young to have learned this yet, you will.  It’s a sad truth.  By the time we’re a certain age, we have the friends we’re probably going to have the rest of our lives, and making new ones, regardless of similar tastes and interests is time consuming, and takes effort.  By this stage in our lives, we don’t like to waste time and effort.  So I was finding it difficult wanting to pursue new relationships regardless of its value.

When we moved to Los Angeles, where we really knew no one, I made a whole new group of acquaintances, none of whom were writers, which I sort of found surprising, as this is the land of “aspirings”, so I was at a loss.  Where were they hiding?  As I continued forward with my writing, and very often struggling, I realized I didn’t have many life lines.  Only other writers can understand the daily struggles, the process, the moments of enlightenment, and offer one another insight or a life jacket.  So I had to make writer friends.

As part of my New Year’s Resolutions, I joined a few writer’s groups via Meetup, and after some time, finally did make a couple of writer friends; one of which helped me yesterday brainstorm some ideas for the rewrite.  Then, the biggest light bulb went on.  As I’ve continued my blog, and begun to learn the value of such a world, I’ve realized that I have an entire community of writers at my fingertips.  As we reach out, comment, and build relationships here, we are building our own circle.

So I would like to offer my blog as a part of the circle I’d like to create.  Fellow writers, let’s help one another succeed.  If you have questions, would like to offer advice, please feel free to do so here.

Wishing you all the best!

xx, Rach

A Writer’s Life

EditingVictory!  Last night I had a small breakthrough on the rewrite, and I am starting to fall in love again.  I know I’m not alone in feeling a little love loss when a story you’ve poured yourself into stops loving you back; the hours invested, the sleep lost, the tears, the borderline mental breakdown…I’ve complained about this one long enough, and I don’t like the feeling that a story and characters that once brought me such pleasure could turn out to be the bane of my current writing existence, especially when people, whose opinion I trust, tell me how much they like the story.  It makes me wonder if I’m thinking too much, trying too hard, or am afraid?

I know for a fact that I think too much.  I over-think everything.  But as writers, we all want our stories to be the best they can be.  So trying to think of every possible story thread or outcome is just part of the trade.  Wondering about every facet of the story is just what we do.  And I know I have to get out of my head, more often than I do.

As for trying too hard in relation to my writing, I don’t think such a thing exists.  In regards to becoming a writer, is there any other way?  I’m a new writer, and a woman, trying to make it in Hollywood, so what else am I going to do?  The Writers Guild recently released this article about the state of women in the industry, and it’s a little bleak.  In an already tough business, the uphill battle just got a little rockier it seems.  I need my stories to be compelling.  I want them to be recognized for what they are.  And I want the fact that I’m a woman to be irrelevant when looking at my scripts, although it will be clearly evident because I’m a bit of a feminist and I write for women primarily, but you know what I mean.  I am trying too hard because I want to succeed.

Then there’s the possibility of fear.  Fear is an enormous detriment to a writer.  If I’m honest, which I will be here, I don’t feel fear in regards to my writing.  I relish the blank page.  It’s an opportunity to create new worlds and escape into adventure.  I don’t fear endings.  Some times, after spending so long with certain characters, it’s hard to say goodbye, but I like the idea of moving forward and creating a body of work.  But there is one thing, the fear of success.  The unknown.  We get comfortable in the daily struggle, the routines we’ve created, and lives we’ve built around this dream.  This may seem strange, but all the years building up to the next stage in the journey makes me nervous at times.  Am I prepared?  I think, not just as writers, but as people, when we dream about something for so long, the idea of actually getting what we want can cause fear.

So, back to the breakthrough.  I decided to take a different approach to my writing and use some of the tools I’ve discovered along the way.  Blake Snyder’s Save the Cat (this is the link to the website and information, but there is a book too) is a great resource for screenwriters, but I think all writers could use some of the techniques to help their story.  Blake designed a checklist, all the components needed in a screenplay.  As my rewrite is an entire perspective shift, I’m changing protagonists, I needed to get into the head of the new lead character.  This is someone I know well, but until I sat down and started writing out her journey, all that time spent in my head was time wasted.  I can think on it all I want, that over-thinking thing I do, but until I sat down and physically worked out the details, I was never going to move forward.

Maybe there was a little fear, actually fear might be the wrong word, perhaps anxiety is better to refer to my feelings about this script and its necessary rewrite.  The love had slowly melted away under the constant scrutiny and struggle to get the third act right.  This is a story I have been working on for a long time, and when I had that light bulb moment to change the perspective, it was almost like I was writing a new story and I was afraid of what it might do to the original idea.  Maybe this is why I’ve been reluctant and dragging my feet to actually attempt the rewrite.  But like I said above, “fear is a detriment”, and I can’t let that hold me back from moving forward.  So, as I sat in my writer’s group last night working out the details, I had a glimmer of the love that drew me to write this story in the first place.  I made a mental decision to look at this new rewrite with a positive attitude, and I think that worked.  As I discussed the idea with a fellow writer later, I felt better and more hopeful with the idea.

So I throw this out to you my fellow writers…what obstacles do you have in your writer’s life?  How do you overcome them?  Or are they what drive you to succeed?

I wish you all the best in your endeavors!

Helpful Site: Write to Done

HelpfulTipsI was bouncing around the internet, instead of writing, because I was still enjoying my morning tea and didn’t quite have the brain capacity for anything beyond reading emails and Facebook statuses, and luckily, I found something of use amongst the nonsense, a website called Write to Done.  They offer a section for submitting material as a guest blogger (here are their guidelines), they have a free book, and over 200,000 monthly readers, so it might be worth a look-see.

Happy Sunday!

Make Your Own (Writing) Rules

AntiqueKeyThe other day I posted a link to a site called Literary Rejections with a list of author’s 10 Rules of Writing (Henry Miller and A.L. Kennedy were probably my favorites).  I decided to create my own, as I said I would, and after some editing rounded out the number to 20.  I’m putting this out into the world in the hopes that it will not only help me, but other writers.

I’m on the email lists of various writing sites and I get so inundated with information that some days I feel like hitting the spam button and never looking at their “helpful advice” again.  There are so many people telling you what you should and shouldn’t do and sometimes they’re contradictory…so what is one to do?

Make your own rules!

Now obviously, there are some rules of writing that can’t be changed.  Screenwriting has a very specific structure, I can’t change that, but my writing style, etc. is left up to me.  We all know the conditions we like to write in and when, but like my To Do List posted on the wall, sometimes it helps to see those guidelines visually.  We might accomplish more when there’s a physical reminder staring at us.  So here are mine –

  1. Language does not always have to wear a tie and lace-up shoes. The object of fiction isn’t grammatical correctness but to make the reader welcome and then tell a story.
  2. Whether it’s a vignette of a single page or an epic trilogy, the work is always accomplished one word at a time.
  3. Hold the reader’s attention.
  4. Write whatever way you like. Fiction is made of words on a page; reality is made of something else. It doesn’t matter how “real” your story is, or how “made up”: what matters is its necessity.
  5. Work on one thing at a time until finished.
  6. Work according to the program and not according to mood. Stop at the appointed time!
  7.  When you can’t create you can work.
  8. Keep human! See people, go places, drink if you feel like it.
  9. Don’t be a draught-horse! Work with pleasure only.
  10. Forget the books (screenplays) you want to write. Think only of the book (screenplay) you are writing.
  11. Write first and always. Painting, music, friends, cinema, all these come afterwards.
  12. Write a book (movie you’d like to see) you’d like to read. Don’t write for a perceived audience or market. It may well have vanished by the time your book’s (screenplay’s) ready.
  13. Be ready for anything. Each new story has different demands and may throw up reasons to break these and all other rules.
  14. The reader is a friend, not an adversary, not a spectator.
  15. You see more sitting still than chasing after.
  16. You don’t know the limits of your own abilities. If you keep pushing beyond yourself, you will enrich your own life.
  17. Defend your work. Individuals will often think they know best about your work. When you genuinely believe their decisions would damage your work – walk away.
  18. Defend yourself. Find out what keeps you happy, motivated and creative.
  19. Remember you love writing. It wouldn’t be worth it if you didn’t. If the love fades, do what you need to and get it back.
  20.  Use the right word, not its second cousin.

I encourage you all to make your own list, and as always Best of Luck!