The Jane Austen Syndrome

JASilhouetteI was recently introduced to virtual strangers as a “great admirer” of Jane Austen, as if that were almost an excuse, an apology, or a warning…I’m not sure which.  I do not deny my Jane Austen obsession.  I am joined by legions of (mostly) women who refer to themselves as Janeites and celebrate the author and her work in any way they can.  Why?  You might ask.  There are several reasons; likeable characters, restrained romantic encounters, great dialogue, lush landscapes, great houses, etc. but this is not to be some treatise on the literary constructs, but a few of the reasons why a girl from Sin City found refuge in a faraway land set hundreds of years ago, that started a chain of events that I will refer to as the Jane Austen Syndrome.

First off, when I was 19* I visited England for the first time.  That was it for me.  I was home.  And I’ve been trying to get back there ever since, having achieved success only once more (so far).  I always felt a little out of place in my hometown, and finding this sense of “home” was intriguing and compelling.  So, upon my return home I started to devour all things English.  It was later that year when Sense & Sensibility was released.  (*Oh gracious, don’t do the math.)  My literary education had never included Jane Austen.  This was my first introduction, and the first domino.

Sense & Sensibility, where to start.  I have a much younger sister, and for many years I had to maintain a certain Eleanor appearance in regards to keeping emotions in check.  So that rang true for me personally.  The men were dashing and handsome, but there was more to it than that.  The lifestyle, the manners, the propriety, the rules…all of this was fairly new to me and I loved it all.

FirthasDarcyFrom there I discovered the BBC version of Pride & Prejudice with Colin Firth (whom I still love to this day) and Jennifer Ehle, which is the basis for all boy meets girl romantic comedies.  It was official.  I now understood.  I was a Janeite.  At this point I started to watch any version of any Jane Austen film made to date, but had yet to pick up a novel.  Once that happened, it was just another stepping stone in my love affair with England.  It is on this topic I could write a treatise.

I discovered that through certain films, I was introduced to time periods that affected not only me but my writing greatly.  Which, hopefully, you’ll see when my screenplays come to the big screen.  *Fingers crossed.  I dream(ed) of the Mr. Darcy and the gentlemanly ways of a time gone by.  Today you’re lucky if a man will hold the door for you (this is a generalization, albeit a fairly accurate generalization.  Sorry guys, but you should know that you will win more favor with a few kind acts, and that most women would love to be treated like a lady.  And let me add a side note, women should act like they deserve to be treated as ladies, this is the Janeite in me.).  There were manners and standards.  And this is a side effect of “the syndrome”.  Once immersed in a world we’d prefer still existed in some regard, most things pale in comparison.  It was this introduction that has led to my Anglophile status – why I swoon at an English accent, love high tea, developed a passion for history, have dressed in Victorian garb on more than one occasion, will watch any English period piece, have a fondness for the Queen, want to join the Society of Creative Anachronism, and desire to settle in an adorable manor in the English countryside…Jane, what have you done to me?!

EnglishManorNow I shall go immerse myself in some history in my own script, so I suppose a “Thank you, Jane” is in order as well.  🙂

Have a great week everyone!

2 Writing Opportunities

While on the hunt for writing opportunities, I came across these and thought I’d share.

Collective Lifestyle | Apply to Become Writer – for you freelancers

&

ProLiFic – which looks like an interesting idea and maybe a way to get us to finish our work 😉

Good luck!

 

A Message for All Creatives

So last night I realized my perspective was off.  While looking for feedback on my last post about finding ideas, a fellow writer suggested I watch this TED Talk from author Elizabeth Gilbert, who wrote Eat, Pray, Love.  It’s an interesting take on the creative process, and a lesson we should probably all take to heart, at least in some regard.  *I won’t spoil any of it by delving into it further, for the moment, but really, give it a watch.  It’s less than 20 mins.

My thoughts yesterday were only that I needed to find more ideas, that I didn’t have enough in my “stockpile”, or the more accurate term I like, due to its deep, dark imagery, “vault”.  Then last night while at my writer’s group, I listened to the twenty other writers in the room discuss their projects, and realized how different we all are from each other.  Everyone in that room was working on something different; novels, screenplays, short stories, poems, the genres differed, the perspectives were biased from personal experience, and the writing styles were all different.  One of my novelist friends cringed when she heard a few of us talking about screenwriting and moved away to find a conversation more suited to her.  We support each other’s work, but don’t talk about it much when we’re together, in part, because of the differences.  So I laughed as she turned away because it reiterated to me that although we share a common passion, writing, we are not in the same boat.

NeverForgetWhyYouStartedI was looking at the work of others and comparing myself to them.  This is where I went wrong.  My life is not the same as a writer at the turn of the last century.  I’m not spending my time in an opium den, allowing lucid hallucinations to dictate my work.  My life isn’t even similar to the majority of the people I was in the room with last night, so why would I ever consider to compare my work with theirs?  Foolish notion…and hence, the perspective change.  As a screenwriter, hearing that someone has written twenty-five scripts should not make me rise to the challenge, because in all honesty, how many of those stories were worth telling?  I don’t want to be a writer that just spews out scripts for the sake of quantity.  I write a story because I have a passion for it, not just to bolster my numbers.

We each do what we can with what we’re given, or hopefully try to.  We all hope to achieve some part of the greatness that others have, but comparing ourselves to them is not only counterproductive, but unnecessary.  We each have our own stories to tell, we each have lived a different life, and it is this variety that makes us unique and incomparable.

I wish you all the best!

Bright Ideas

IdeaLightBulb(jeffbullassite)

Ideas.  Where do they come from?  You’ve got me.

Honestly, I have no idea how my mind works.  The things my mind decides to retain versus what it doesn’t…I don’t know why.  So how could I possibly explain why a line of dialogue or a simple word might instigate an entire thought process that leads me to a new story idea?  I make notes whenever something intrigues me (I’m very fond of the note app on my phone), and I’ve been much better about this as time has gone on because as stated above, I’m not sure I’ll remember it later.  I usually don’t.  Then I become frustrated that I let it slip away.  So I’m always a little surprised when I hear a writer wonder what they should write about.  Isn’t stockpiling a part of a writers bag of tricks?

But on the flip side…I became baffled by some of the things I’ve read about writers doing, such as “idea sessions” where they come up with fifty ideas and then narrow down to a few that seem viable, or hearing about writers that have written upwards of twenty-five scripts.  Then while floating around the internet, I came across Frank L. Baum’s Wiki page, creator of The Wizard of Oz, and discovered what he had done.  Take a quick look at his bibliography, and be forewarned of the feelings of inadequacy that will follow.  When I figured out my portfolio, I was happy that I had eight solid ideas for full-length screenplays with a couple more brewing, but after seeing what some other writers have accomplished…huh, talk about feeling inept.

I keep a notebook with snippets of ideas, lines of dialogue, what-have-you, but even contained within those pages I can’t imagine I have fifty ideas or twenty-five scripts.  I could not write fifteen books based on one idea.  I was thrilled when one of my ideas kept growing and I realized I could write a trilogy and create an entire franchise, but that’s still only three story ideas.  I’ve made a note to myself to seek out idea generator type information, thinking maybe I need help in this area, and saw this article from the aptly named Bitch. Procrastinate. Write. entitled Got no writing ideas? Here’s 11 reasons why.

Then I saw somewhere that a writer’s favorite question is:

What if?

So there’s a starting point.  And another reason I share the writing prompt images.  “If I can help just one writer…”

I’d be interested in getting some feedback on how you all generate ideas, and if I’m alone in feeling this.

Good luck everyone!

My 100th Post

100I can’t believe it…100.  Have I really had so much to say?!

I didn’t have any expectations when I started this blog, because I really had no idea what I was doing.  The only thing I did know was I needed a plan of what I was going to talk about.  I’m a writer who always thought she should be a teacher, but I don’t want to be lumped into one of those “if you can’t do, teach” sort of people yet, because I am just starting out. 😉  So here we are.  I share what I learn along the journey into “the business”, share a little of myself and my passions, and hopefully am useful to those of you who have decided to follow my ramblings.

I get a thrill each time I see that little orange icon at the top of my screen informing me of a new follower, comment, or like, and I appreciate every single one!  So thank you to all of you who have decided to spend some time with me.

So, on that note, and since I’m finally back on track, I’ll share a little about how I’m moving forward.  Besides the rewrite (this should now require some sort of expletive attached to it), and the possibility of writing for a new animated series (if it gets picked up – keep your fingers crossed), I’ve been working on my portfolio (which is why that blasted rewrite has been plaguing me).  For my fellow screenwriters, this is an absolute must.  Screenwriting coach, Lee Jessup, listed the following as a well rounded portfolio:

  • 2-3 “ready” scripts
  • 1 TV pilot or web series
  • 5 fleshed out like-genre ideas
  • 2 outside your genre ideas

Here’s a more in depth post about this topic and branding if you’re interested.  I’ve been able to get all of this in order, except for a viable option for a television pilot.  I sort of had this vague notion of something I wanted to do about powerful women throughout history, but about a week ago I had an idea for a comedy, and then one for a sort of fantasy based drama.  That one still needs tweaking.  And then they both need writing, or some outlining, which I suck at, by the way.  So there’s that.  From there, I need to start attacking my list of potential agents and industry people.  That’s a whole new level of stress-inducing madness just waiting to be explored.  *For those of you who have taken part of this process, I’d love some advice or feedback.  Please and thank you.

As for the blog, since I decided to start sharing images for writing prompts, I’ve collected a stockpile of articles to share, and I’d like to branch out a little in what I post, I just don’t know what that means exactly yet.  So stay tuned.

I suppose that’s enough rambling for now.  I’m going to try out a new writer’s group tonight and see what comes of it, so wish me luck.

I wish you all the best everyone!  And thanks again!  Let the journey continue.

The Business of Rewriting

EditingAs I embark on yet another rewrite, and hopefully the last, on my first screenplay, I’ve been reviewing all the notes I’ve taken on rewriting (from books, articles, webinars) and thought I’d share a few things that should be relevant for all writers.  We’ve all heard it, and I’ve said it a time or two here, that all writing is rewriting.

First off, there should be a distinction made between editing and rewriting.  Editing is working with that final draft to make it great (and ready).  Rewriting is improving each element within your story; characters, dialogue, scenes, using the right words for impact, etc.  According to Dictionary.com – Editing means:

1. to supervise or direct the preparation of (a newspaper, magazine, book, etc.)
2. to collect, prepare, and arrange materials for publication
3. to revise or correct

Whereas Rewriting means:

1. to write in a different form or manner
2. to write again

So we will first rewrite, then edit.  Unless you’re like me, who loves to edit while they write.  Don’t follow my lead.  The first draft should be all the things you hope your story will be.  You should write it from the heart, because the subsequent drafts will be from the head.  The first draft should be free of restrictions, over-thinking, and self-censorship.  You should be carefree and wide-eyed, because it might be the last time you feel that way for the rest of this story.

One of the first lessons I learned in regards to rewriting is to remember “your vision”.  Sometimes while writing our vision gets lost.  Rewriting is the time to get reacquainted with it.  Remember why you wanted to tell this story.  Look for holes, problems with story or structure, forgotten characters (I did this once.  I had a character in the first half of a screenplay who I forgot to use later.  Oh yea, they must have been really interesting.), and logic.  Logic is one of my favorite rewriting techniques, “What would really happen?”  Trying to force a situation to get our characters where we want may make it read false.  How our characters (and people in general) would really respond in any situation is a great way to judge if our story is reading true, and might actually solve some problems we’ve run into.

I primarily write screenplays, so I have a lot of rewriting tips specifically designed for screenwriting which I can share in another post.  I wanted to keep this one a little more broad and offer some sites with helpful tips.  Many I’ve referred to myself.  LitReactor is great.  If you haven’t discovered them yet, take a look.  Use the search bar for editing or rewriting tips and you’ll come across articles like, How To Break Up With Your First DraftWriting Sentences With Impact, or 5 Steps to a Successful Digital Rewrite, in addition to a great many other articles.  The Write Life has articles about 25 Editing Tips, or Write Better Stories By Asking These Questions.  This may be part one in a series, because there is a lot of information out there.

So, if I find anything else, I’ll pass it along.  I hope you’re all having a great and productive week!