A Few Rewriting Tips

EditingIn a recent post, I mentioned the brain dead side effect of rewriting.  I am happy to relay that I have at least kept up the momentum, for a whole three days now.  My goal is 15 pgs. a day and I have made it to page 50 in my script, but I am nearing the corner towards that dastardly Act III, so the ambitious page count may falter in the coming days.  And of course, I’ve had another idea for the third act.  Maybe I should write a novel, then I could use all the story ideas I’ve had and propose them as “if you turned left instead of right, this could’ve happened” story lines.

I went to film school, but many of the tools I have learned for screenwriting have come from my own research and interest in bettering my writing; books, articles, and teleconferences.  If you’ve read some of my other posts in regards to the differences between screenwriting and novel writing, you’ll understand what a different mindset screenwriting requires, but I’m not going to go into those details here.  This one is meant for rewriting.

I thought I’d share a few tips, some good ones, or those that I think are good because I found they made the biggest direct impact.  These tips are more inclined for screenwriters, but some of them should be helpful to writers of all forms.  Most of us know about cutting scenes that don’t move story, creating subtext in dialogue, and making sure there’s conflict, etc. but here are a few others I’ve been keeping in mind during this final (please let this be my final) rewrite.  Also, thanks to irscriptwriter who encouraged me to stick with my two spaces after a period rule because it was causing aneurysms. 🙂

1. Wordsmithing – more meaning with fewer words.  For screenwriters this is key as a page count limits us.  It also means to take generic words like “walks” and replace it with saunters, struts, or lumbers which immediately gives the reader a visual and negates further description.

2.  Imagine the location or setting and try to describe it in three vivid and evocative terms.  Do the same with your characters.  As with wordsmithing, the right word can have multiple meanings, and immediately stir the reader’s imagination.

3.  Make the script fun to read.  Screenplays have a specific format, but you can build momentum and action by the style on the page.  We create the story and how the reader will follow it, so in that we have freedom.  There’s also an unspoken rule of making blocks of action only four lines a piece so the reader doesn’t skip through larger blocks of text, just FYI.

4.  Make it a silent film.  Read only the action.  Would a reader still understand what’s happening?  This helps solve the “talking head” problem where exposition is given via dialogue.

I have pages upon pages of rewriting tips, so if anyone is interested in more, I will share them in another post.

Have a great weekend everyone!

Another Tool For Screenwriters (& Maybe Your Next Interview)

HelpfulTips“Tell me a little bit about yourself.”  A statement we’ve heard time and time again during interviews, but who knew the importance of that question when you’re trying to sell a screenplay?  Thankfully I came across this article, The Deal Closer: Your Personal Narrative by screenwriting career coach Lee Jessup, because as screenwriters we needed one more thing to worry about. 😉  To sum up the article, the basic idea is that our writing can be wonderful, but so must we.  Selling our work the first time out is rare, but in order to work – staff writing positions, contract work – we must be able to sell ourselves as well.  Let me add this to my Professional To Do List: #19.  *I exhale a heavy sigh at the revelation of one more element to master.

Have a wonderful weekend!

Tell the Universe What You Want

LokiSaysIShouldBeWritingWriters are by far the hardest-on-themselves group of people I’ve had the privilege of knowing, myself included.  We expect so much out of ourselves, especially in regards to our work.  Not only do we struggle to create (and are we ever truly happy?), we also criticize ourselves for not writing enough, we suffer from a plethora of fears; rejection, the blank page, another rewrite, completion, even success, and then we must endure at least a hundred plus other steps in order to succeed as professional writers.  There are dozens of avenues to explore, and we try them all in the hopes of finding the right one.  And people wonder why we’re “special”…or have the audacity to think it’s easy and that everyone can do it, or that all we do is daydream…these and other ideas like them fall into the realm of “writer’s pet peeves”.

So back to the topic at hand, the recent opportunity I was thinking about and mentioned on Monday – volunteering at the Los Angeles Film Festival by Film Independent.  They also put on the Independent Spirit Awards, so I thought it might be a great way to meet people and network, but when you’re a volunteer, you’re not really allowed to do that.  And then a few things popped up and made it a near impossibility to work the event at all, so I’m striking it off the list and moving forward…but to where?  I was discovering quickly that this year was going to pass me by without any real progress.  That was a devastating realization.

I believe that when you voice your desires aloud, that’s when things start happening.  Obviously we still have to work at it, but making the bold declaration, writing down our goals, and putting them out into the universe help to solidify them in our mind.  They aren’t just these dreams we have, but fully realized goals we can move forward to achieve.  What I needed was a new plan.  Great.  Something else to divert my attention from writing.

So the following night when I was talking to my sister’s boss and she asked what she could do to help me with my career, I told her.  I put it out there.  She and her husband both work with and know lots of people that could help me (including some of the biggest names that would pretty much make me pee my pants if I found myself in the same room with them), but in my mind I had drawn a line.  They are my sister’s bosses and therefore should almost be off limits, that is, unless they offer.  Growing up, we were instilled with this idea of doing things on our own, not relying on others, and making our own way (which I clearly can not do as a screenwriter).  Call it pride or stubbornness or stupidity (which is what my sister’s boss called it), but I got a very quick lesson in asking those who are capable and willing for help.  Bottom line is I’m meeting with them in the next few weeks in order to advance my career.

So I will now voice my desires; my next goal – have my portfolio ready when I meet with those who have offered me help.  Oh, gracious universe, please be kind and let the words flow from my mind to my fingertips without much stumbling.  Please allow my mind to grasp all the elements I need in order to finalize my rewrite…*fingers crossed.  A little forewarning, I may be a little absent as a result, because I have quite a bit of work ahead of me.

So go on, tell the universe what it is you want.  Good Luck!

*And by now you should know, if I can, I will include a picture of either Tom Hiddleston or Benedict Cumberbatch.  So you’ll always have that to look forward to. 😉

What I Learned During My Day At The Zoo

CharacterStreetSignThe zoo.  Harmless enough of an outing…a complete lesson in character.  I always wanted kids, but the older I get the less I do, and during this outing I felt my ovaries dry up.

So first off, let me say this, I know parenting is difficult, and this is not meant to be an essay on child rearing, but I have to get this off my chest.  I was surprised to find numerous children screaming at animals, pounding on the glass partitions, and throwing things into the enclosures at the animals (there are even signs posted of things not to do because this is clearly an issue), and parents or supervising adults taking long periods of time to notice or say anything at all.  When I heard children talk back to not only their parents and teachers but to strangers, I cringed.  There was no instruction given, at least at the time, as to why that behavior might be unacceptable.  There was no insight given that if you were in the wild and did that to these creatures, they would eat your face.  But, then I would notice other children standing in awe of the animals, waving at other kids, being helpful, or staring aghast at those misbehaving, and think, well, all is not lost.

As there was a great cross-section of society gathered that day, it was not only a lesson in character, but society and expectations, and the differences between cultures, and it got me thinking.  Not only did I think about character, but also a story idea that the humans walking around were actually the exhibit with the animals watching them.  I could only imagine what they were thinking.

As writers, we usually pay attention to the things around us more than most in order to store it all away to use later in our writing.  Whether our characters fall into the categories of good or bad, hero, anti-hero, rogue, or villain, we want them to be, and they must be likeable.  And I don’t mean we’d want to be friends with them exactly, but there must be something about them we love to hate, or hate to love, something that draws us in.  I’ve talked about this before, those characters that are compelling to watch; the Lokis, the Sherlocks, and the Hannibals – responsible for a little chaos but we love them anyway.  The facets that make up an interesting character are never prevalent in one person we actually know.  They are amalgamations.  The characters we love are bigger than life, are more complex and interesting than available in reality, and some of them we would definitely not want to be friends with, but do want to watch do things.

CharacterQuote

I understand that kids are kids, and hopefully, most of them will grow out of some of those less than acceptable behaviors, but I gained a little insight while watching them – I was reminded that in order make our characters more interesting, we have to know more about them in order to flesh them out, whether we use it in the writing or not.  We need to know the childhoods of our characters, the type of kids they might have been.  Most of the time, it’s those early days that influence the people we become.  Most creatives have had difficult childhoods, endured bullying, and overcome a variety of obstacles, a reason they choose to express themselves creatively whether through writing, song, art, comedy…We need to take into consideration where our characters are from, the religious and cultural impact on their lives, the types of parents they had, their social standing, their education, and what type of friends they had – all of these make a character more complete.  All of these factors then help you understand how your character will respond in any given situation; their dialogue, how they handle stress, relationships, confrontation, etc.

I’ve read that a helpful trick to get to know your character better could be something like going on a date or interviewing the character.  What are the things you like to know about someone you’ve just started dating?  What questions would you ask someone you were interviewing to understand them better?  One of the first questions is always, “So where did you grow up?”  It tells you a lot about someone right off the bat.  And this is another way to give your character a unique voice.  I’ve heard it many times that writing dialogue is complicated, even though we all talk everyday, but writing it down is a much more difficult feat; there is nuance and subtext.  So if we know more about who are characters are, then that might make our writing flow that much easier.  And who doesn’t want that?!

On a side note, I hope you all are doing well!  I’ve noticed a lot of fellow bloggers have been struggling, so maybe this writing trick will be a fun exercise and a way to get out of your head.  Have a great week everyone and keep up the good work!

What I Learned Last Night At My Writer’s Group

UnhappyIconGracious.  Last night, for the first time, I read some of my work to the group; a few pages of the script I’m thinking of adapting into a tv series.  I’ve been attending this particular writer’s group since January, and some of the members have become friends, so I was completely taken by surprise at the level of anxiety that overtook me when I started to read.  I haven’t been that nervous since the first time I had my work read aloud in college, many moons ago, which I did eventually get over.  Obviously, it’s been in hiding.  The quivering voice that made me more and more self conscious as I continued to read, the spastic hand that made it difficult to scroll, reiterated to me why writers drink.  Our group leader brings wine for everyone each week, but last night I did not partake…I really should have.  I got positive feedback, so that felt good, but I felt stupid that at this point in my life, I couldn’t control the nervousness.  I was surprised they were even able to pay attention to the words beyond the trembling.

This unsettled me.  If I had this level of anxiety among people I knew, how would I be able to pitch and sell my stories to strangers?

I used to wait tables and bartend.  Talking to strangers comes easily, but talking about myself and my work on a bigger scale is clearly a hurdle I will have to overcome.  I was thinking back to my first days as a server.  I was nervous, but nothing like what I experienced last night.  I became a pretty good server, often asked to wait on special guests at the restaurants I worked in…I would have to remember those principles I once implemented as a server; being friendly, professional, confident.

I would also have to practice.  As I had been able to get over the anxiety in school through repeated exposure, I would have to do the same thing at the writer’s group.  I mean, I am to blame for not getting myself and my work out there more.  I’ve been attending the group for 6 months and I just shared my work?!  Geez.  So I came to the conclusion that I would have to read, and read, and read some more.  I would have to get comfortable being vulnerable again.  I’m not sure if it was the judgement I feared or what exactly, but I was reminded of a particular quote when I got home –

Your work is not you.

If anyone has any advice to offer on the subject, please share!

On a side note, I wrote about 700 words of some Dragon Age fan fiction…

I’m sending out positive vibes today!  Best wishes!

 

What I Learned At My Last Networking Event

TVblueLast week I attended a networking event with a manager/producer guest speaker who said outright that screenwriters should focus on television.  The television market is where it’s at, which is obvious with all the new original programming options at Netflix, Hulu, and Amazon, among others.  Movie attendance is down, so the studios are mainly looking for projects with a built in audience.  Hence all the superhero movies, remakes, and those based on novels.

I wept a little inside.  My screenplay, the one I’ve been struggling to rewrite, the one I wanted to use as my calling card, I could see was about to fall into the realm of obsolete.  The advice given was to create two original pilots.  Gracious.  The one area I’ve been struggling in, and now I needed to create two different shows?!  I barely had a viable concept for one.  And what was worse, I had to write them.  I couldn’t just have a fleshed out idea that I could pitch.  There’s that pang in my chest again, even knowing what I do now, writing this out causes a twinge of anxiety, again.  I left the event a little deflated but thankful for some honest advice from someone active in the film community.  As writers, isolated, no matter how much we read or discover about the business, until we’re on the inside, we don’t know what’s really going on.

When I got home, I started looking through my half-baked ideas, and the gravity of the situation started to sink in.  I have been working on my portfolio, trying to get all my ducks in a row, and I thought I only needed ONE tv pilot or web series idea, not a whole script.  I started to bounce around some ideas, and thought I had come up with a couple of fairly solid ones, until my sister enlightened me.  My fifth screenplay, Projection, influenced by the likes of La Femme Nikita, Buffy the Vampire Slayer, and Alias, could definitely work as a tv show.  And the bonus, it would only need a little reworking as I had already written about 50 pgs.  I know the characters, I know where I want the story to go (at least for a season or two), and who wouldn’t like to watch a female spy with special powers kick ass?!

One down.

So there you go, fellow screenwriters.  A little advice from the field.  I started following a few writers, a screenwriting career coach, and the editor of Script Magazine on Twitter, so I’ll hopefully have some more solid advice to share in the near future.

Happy Sunday!

#Sellout

TweetHashtagI’ve joined Twitter.

I’m not sure how I feel about it yet, in part because I have no idea what I’m doing.  When I informed my Facebook friends, one of them immediately responded with #sellout.  I replied, #haha.

So why do it then?  I’ve read how useful a tool it can be, especially for writers.  It’s a direct link to people in positions to offer advice, among other possibilities, and a way to build an audience.  So it was time to jump on the bandwagon.  My first tweet was, “Yes, I have succumbed.”

I’ve added the feed to my blog, and I give you fair warning it may be a little blank for a while until I get the hang of it.  I’ll share any useful insight I learn about this along the way as well, as I’m sure to be on a huge learning curve for a while I can imagine.  And I give you this promise – I will do my best to never use the following hashtags: blessed, selfie, nofilter, ROFL, YOLO, or any other annoying tag I’ve seen flung about.

I’m open to any advice, tips, or people of interest to follow if you’d like to share.  Facebook, Twitter, and self-promoting, oh my!

Have a great weekend everyone!

The Value Of A Writing Community

EmoticonsShakingHandsI always thought it would be good to have writer friends, but as writing is a (mostly) solitary pursuit, and as we tend to be introverts, finding other writers, especially those whose opinions I could trust, seemed like a fruitless and futile pursuit.  This is not meant to be a slight, by any means, but a testament to my own shortcomings of maintaining relationships (even with those I already consider my friends).  So trying to find new ones with specific traits, well, felt like it might be a challenge.

I have many acquaintances – those people you meet through work who become your Facebook friends even long after you’ve changed jobs, who you’ve never seen again, probably never will, and might not even recognize years later…you know the ones, we all have ’em.

But, building a circle, that’s a different type of beast to tame.  When I was living in Arizona, I was fortunate enough to meet a unique person, a fellow geek, who included me and my sister in his circle.  It was one of those inspired moments, when you realize you’ve met a kindred spirit.  Unfortunately, we moved away.  His wife and I maintain our friendship via Facebook through our mutual love of all things Whedon, Cumberbatch, and other geek related passions.  So that’s good for me when I want to geek out, which is all the time, but they aren’t writers.

Making “real” friends gets a bit more difficult with age.  For those of you too young to have learned this yet, you will.  It’s a sad truth.  By the time we’re a certain age, we have the friends we’re probably going to have the rest of our lives, and making new ones, regardless of similar tastes and interests is time consuming, and takes effort.  By this stage in our lives, we don’t like to waste time and effort.  So I was finding it difficult wanting to pursue new relationships regardless of its value.

When we moved to Los Angeles, where we really knew no one, I made a whole new group of acquaintances, none of whom were writers, which I sort of found surprising, as this is the land of “aspirings”, so I was at a loss.  Where were they hiding?  As I continued forward with my writing, and very often struggling, I realized I didn’t have many life lines.  Only other writers can understand the daily struggles, the process, the moments of enlightenment, and offer one another insight or a life jacket.  So I had to make writer friends.

As part of my New Year’s Resolutions, I joined a few writer’s groups via Meetup, and after some time, finally did make a couple of writer friends; one of which helped me yesterday brainstorm some ideas for the rewrite.  Then, the biggest light bulb went on.  As I’ve continued my blog, and begun to learn the value of such a world, I’ve realized that I have an entire community of writers at my fingertips.  As we reach out, comment, and build relationships here, we are building our own circle.

So I would like to offer my blog as a part of the circle I’d like to create.  Fellow writers, let’s help one another succeed.  If you have questions, would like to offer advice, please feel free to do so here.

Wishing you all the best!

xx, Rach