The Zombie Condition

DesertAbout seven years ago, my sister and I moved to a new state and my creative pool dried up and looked as barren as the Arizona landscape that lay outside my front door.  I told people I was a writer, because I hated the inevitable question that all servers/bartenders get, “So what else do you do?” or the yet worse, “This isn’t all you do, is it?” (because to outsiders, waiting tables is like purgatory, but the question is an insult.  It’s a slap in the face that what you’re doing right now, isn’t good enough, and they’re concerned for you).  Oh goodness, that’s a rant for another day.  So, about eight months pass, and I haven’t written a word, and yet I keep telling people that’s what I really do.  I’m a writer.  The thought that plagued me all those months was how could I call myself a writer if I wasn’t writing.  A few drafts in on one screenplay does not a writer make.  I had written more, all through my youth, but it’s not worth mentioning.  And there was a little fear lingering as well.  What other stories did I have to tell?  Then I remembered a quote from Maya Angelou.  “You can’t use up creativity.  The more you use, the more you have.”  Creativity is a fountain.  And as writers we observe.  We are never short of ideas, stored in that so-called “vault”.  So after a little self-loathing and a metaphorical kick in the ass, I got back to work.SwarovskiFaceFountain, Austria

Writing is hard, it’s an art form, and not everyone can do it.  But, if it’s who you really are, then don’t let anything derail you!  That’s my tip of the day.

I was reminded of this condition when I read this funny article today on Script about Writer Zombies.  Don’t let this happen to you.

Best of luck in your writing adventures!

*Swarovski Face Fountain, Austria

Networking Opportunity: Final Draft Meetup & Screening

FDlogoAs I’ve mentioned a time or two, especially for a screenwriter, networking is a necessity.  If you live in L.A., Final Draft offers monthly mixers, Final Draft Meetup & Screening, at The Cat & Fiddle in Hollywood.  This month it will be on November 11th with writer Wayne Powers and a viewing of his film, The Italian Job.  And it’s Free!

Previously I’ve been unable to attend, but I’m going to make a concerted effort to go this month.  If you decide to mingle, say hi!

Hope everyone’s having a productive week!

Pushing Through the Wall

Writing-Clip-ArtThere’s this thing that happens with writers, like with runners, that once you break through that wall, you can just go and go.  I don’t know the running thing from personal experience, as I’ve made it abundantly clear that I hate to run, but it’s something I’ve heard.  But as a writer, I definitely hit my stride last night.  Today I feel almost hung over from the sheer mental exhaustion, but it’s a good feeling.  With the exception of a few minor tweaks, the script rewrite is done!  Success!  What I thought would take a few more days, at the least, wrapped itself up in the wee hours of the morning after a very long stint.

Of course after such a marathon, my mind would not stop racing.  It still took a while to block out the ideas, that continued to come, long enough to succumb to sleep.  And today, I don’t even want to look at it.  And I’m not sure I should.  A little distance would probably do us both some good.  (*This is something I’ve discussed before, like with any relationship, sometimes a little separation is healthy.)  Yes, I have a deadline, a partially self-imposed one, but my eyes and brain need the down time.

This particular rewrite had been lingering for some time.  I had the entire third act to rewrite.  That pesky act had always been problematic.  It was like a kid who didn’t want to play with the friends he had invited over.  They were all in a room together, but it was awkward, and I had no idea had to get them to play nice.  They didn’t agree on anything I put forward to obtain a happy ending.  An outside source, an established writer, and one of the few friends I’ve made since moving here, offered me some insightful and invaluable feedback.  When you’re too close to something, some times you can’t see what the problems are because in your head, it reads differently.  My friend’s advice caused me to look at the entire script through different eyes, I saw the holes, knew how to fix most of them, but each time I attempted the rewrite, something was  holding me back.  I just didn’t want to do it.  Maybe it was because, faults and all, I thought it was done.  Or very close to.  (And in writing that, I realize that I have been lying to myself for a while.)

Screenwriting is not the same as novel writing.  Once you sell your script, unless they keep you around (which is rare), you only have the opportunity to do one more rewrite to the big wigs specifications and then they’ll bring in a slew of other writers to alter all those hours of hard work, sweat, sleepless nights, and tears.  They will destroy your beloved and if you’re lucky, once it’s been mutilated past recognition, they’ll ask you to come back and fix it, probably exactly to the point to which you originally sold it.  Or so I’ve heard.  It’s kind of depressing.  I’m not sure if this was the thought that was bouncing around as I stared at my baby, knowing it needed doctoring, and yet couldn’t bring myself to do it…knowing it was going to require at least another rewrite once it went out into the world, it’s just exhausting.  But it needed it in order to start the whole process.  Catch-22.

But I was still faced with the hard truth that I didn’t know how to fix Act 3.  Then I listened to my characters.  They knew what to do.  And the marathon began.  The script is now 20 pages shorter, the third act reads completely different from where it began, and the kids seem to be playing well together.  I’ll give it a good read tomorrow and see how I feel about it then.  As for now, I’m off to enjoy a celebratory beverage.

Best of luck in your writing efforts!!

*I’d like to apologize for any errors…I can barely see straight, let alone think clearly right now.  *I’d also like to say I looked this poised last night, but no…image from megrosoff.co.uk  

“Killing Your Darlings”

This morning I read an article about the 3 Signs You Should Give Up On Your Story by K.M. Weiland — 1) You’re losing focus.  2) You lack passion.  3) Your gut says stop.  I think there should be an asterisk at the end of that title that leads you to a footnote that reads *Temporarily, because I’m not sure I believe any story you’ve poured so much effort into should ever really be dead.

Obviously we started the story because we liked it or what’s the point?  If you’ve lost focus or passion, perhaps it’s time to just shelve the story for a little while or retrace your steps to remind yourself why you started the story in the first place.  (I recently wrote about how I was reminded why I started my latest screenplay based on a snippet from Elfen Lied, and it reinvigorated the idea for me.)  If your gut is telling you to quit, it may be your inner voice, the one that always knows, that something has gone amiss, but to me, that doesn’t mean the story is dead in the water.  Sometimes we struggle.  Sometimes we get lost.  Sometimes we get buried, but I have never felt relieved to let a story go.  I put it on the back burner for a little while and work on something else.

When I was about 15 I started a romantic period piece that I was too inexperienced to write.  I have had this story shelved for quite some time because I lacked the knowledge of how to write it.  What did I know about that life?  What did I know about life in general?  I had started reading romantic fiction and I think I was inspired and wanted to imitate those stories in some regard because the themes I was hinting at were well above my age/emotional level at that time.  It is a story I have always planned on returning to, I just needed the right mindset to write it.  Since those first few drafts, I have changed.  I’ve become older, wiser, and much better at research.  I love history and have studied it a great deal since I was 15, so much so that I actually have a fairly wide knowledge base about certain time periods.  Plus, as time goes by, you learn more about the world and the people in it.  Those are the ingredients to make you a better writer.  And I loved those characters.  They were my first “couple” and I think it’s time they were resurrected (in time…).

Maybe you need more life experience.  Maybe you need more research.  Maybe you need someone to bounce ideas around with.  I find that talking out the story will sometimes help put it in perspective because you’ll find the holes immediately when trying to tell it.  And the big thing I’ve learned as a writer is that our characters will speak to us.  Sometimes they are the ones to fix a problem.

I’d love some feedback on this one.  Have you ever had to put one of your beloveds to rest?

Wishing you all the best and a great weekend!

It’s Halloween!

SharonNeedlesonWitchBroom

I love Halloween, not for the scare factor but for everything else.  I’m a total wuss.  I don’t watch scary movies, I don’t like haunted houses, except for the one at Disneyland, and I could never do the Universal Halloween Horror Nights as someone would have to hold my hand the entire time.  But I do like the dressing up bit, and every year I plan some grandiose costume idea that never comes to fruition…a constant source of disappointment.  I don’t live in a neighborhood where kids come screaming to the door begging for handouts, dressed up so cute I have an inkling to have children of my own.  And I don’t have a stoop to put out a pumpkin in the hopes that some rebellious teenagers will stomp it to bits (huh, well this year sucks).  But, oh Halloween…

Jackhead

As this is the start of the holiday season, there may be many excuses or other obligations that keep you from writing, but as writers, our brains are never turned off.  We watch all that happens around us, we take note, and store it all away in “the vault” for future use.  So don’t stress…

Buffy

Take the day off.  Watch a scary movie.  Eat buckets full of candy. And have a frightfully wonderful night!  Who knows what might come of the day and inspire you!

VampyKermie

Here are just a few images for your All Hallows’ Eve viewing pleasure — some of my favorite things (Buffy, Jack, Coraline, a vampy Kermie, a villain, and the amazing queen of Halloween, Sharon Needles).  *I do not own any of these imagesFrightNightAwkwardMoment-CatsBuffy staked Edward

CoralineWicked Queen-Spellbound
Dark Lady in Cemetary

Opportunity: Write Start Contest

I always figured I’d be some kind of writer.  I remember (way, way back) in elementary school writing stories — I think I was trying to write a biography once, as if so much had happened in my 8 short years…maybe it was meant to be some sort of diary — I still have some of them.  In fifth grade we had this great project to create a hardcover book, artwork and all.  I wrote a story about running away after my bike was stolen.  Oh, yeah.  Not a true story by the way.  I kept writing, but always struggled.  I rarely finished anything.  It wasn’t until many years later that I found my calling.  I had taken some time off from college, not finding a degree that I wanted to spend money on and then brag about later.  That is, until I found screenwriting.  I graduated with a film degree and loved pretty much every moment of it.  That is a satisfying feeling.

So for those of you interested in becoming a screenwriter, I just discovered an opportunity for you.  Sponsored by Stage 32, The Write Start Contest will give you a chance to study screenwriting for an intensive 8 weeks at the New York Film Academy.  You don’t need to have written a screenplay, just an idea (remember I just said something about how everyone has an idea?!).  Anyway…screenplays take a different approach then novels do.  You leave so much description, dialogue, and “fluff” by the wayside.  It may not be for everyone, but I find it liberating.  One can get so bogged down in the details, and with screenplays, those details are left to the hands of all those creative departments.

So if you’re thinking about trying your hand at screenwriting, this may be a quick, intensive lesson in whether or not it’s right for you.

Good Luck!!

Editing Tips

EditingAll writing is rewriting.  So editing is something we writers must be good at (well, good might not be the best word for the ninja like precision we must hack away at our beloveds).  We must be swift and merciless when it comes to cutting down description, dialogue, and the stuff I like to call “fluff” (the extra things you might like and want to add but aren’t truly necessary to tell the story).  Sometimes we have to cut whole, beautiful, emotional scenes or likable characters…there’s that pang in my chest just thinking about it…because it doesn’t work.  It doesn’t drive the story.  As a screenwriter, I think it’s worse.  You only have 120 pages (or less) and there’s so much blank page (and then there are so many more hands in that pot as it moves forward).  As creatives, placing limitations on our process is a contradiction.  That’s why you write from the heart in the first draft and from the head in the inevitable numerous following drafts.  *And this is why you don’t need to read the following articles until you are ready to edit.  Don’t let them sway you.

Yes, we create something out of nothing.  But.  That first draft is never as good as it seemed in our heads.  Sometimes to get our character from point A to point B they have to take a few detours and that changes the story on the page from where we originally imagined it.  So, there has to be finessing, finding different ways to say the same thing, and the inevitable (just in time for Halloween) horror movie style slashing.

I, myself, am in the midst of yet another rewrite on one of my scripts, my baby, and am really having a difficult time separating my emotions from the story I’m trying to tell and the best way to tell it.  I’ve had this story in the works for quite some time and every time I go in for a rewrite, it changes dramatically.  This time around, I’m cutting the entire third act and reworking the earlier scenes and it’s starting to morph into something else entirely, yet again, which at this point, I’m not even sure I like yet.  And what’s worse, I’m on a deadline.

So today I offer up two sites with some tips.  The first is an article by one of my favorite authors, Chuck Palahniuk, on LitReactor about “thought” verbs.  The other is a checklist by The Write Life — 25 Editing Tips for Tightening Your Copy.

I wish you all the best in your writing efforts!  Have a great week!

*Image found on professionalnoveleditors.com

Writer’s Pet Peeves

TypewriterFontWriterMore often than not when I tell someone I’m a writer I receive the response, “I have a great idea for a story!”  And sometimes they add, “Maybe we could talk about it…”  Why?  Have I mentioned something about running out of my own ideas?  Has my well run dry?  This may indeed be one of the first lessons every writer learns…everyone has an idea.  I’ve had old friends, people I hadn’t spoken to in years, call to ask if I wanted to write these interesting ideas they had because they had learned that I was now a writer.  I understand their enthusiasm for wanting to share their story, sometimes it is indeed interesting (I mean, we all have stories…you tell them at parties while standing around the kitchen with a glass of wine), but (and that’s a big but), I feel almost like they’re trying to validate not just what I do, but themselves as well for having lived with this glimpse of a story for as long as they have.

Maybe this sounds a bit callous, but in the end, I think their eye is on the possibility of money.  Novels can have hordes of followers and then can be turned into movies, and writers have a level of celebrity now that I don’t think existed prior to the internet.  I write because I have to.  I don’t want to do anything else, I’ve tried other avenues and this is it for me (and what would my poor brain do if I didn’t do this?  Hmm…), and hopefully, in time, the money will come, but that’s not why I do it.  This is my lot in life.

I was reminded of this pet peeve when I read an article about The 6 Things Only Writers Understand About the Writing Life on the site The Write Life.  Here’s a snippet from this particular pet peeve:

I always feel a little disrespected when someone brings up their story like we have something in common.  Do they think my job is just me wistfully going about my day with big ideas?

If you find yourself cornered by someone else’s half-baked dreams, try to steer the conversation toward the reality of your career and lifestyle to help them understand that you’re more than fantastical ideas. Explain what your day really looks like, and the deadlines and commitments that drive your work toward the finish line.

And usually we have to try to find time for our passion in between family, work, friends, and other commitments.  So stay strong fellow writers!

I wish you all the best of luck and a productive weekend (if you’re working and not “taking the weekend” like I’ve suggested)!

*Image from DL Koontz site