The internet, and myself included, were all in a tizzy this week with the announcement that in a new comic series, Steve Rogers #1, Captain America is actually an undercover Hydra agent.
Nope.
No.
Not having it.
Fans were quite rightly upset and for good reason. Captain America has stood as a moral icon, defending the defenseless against tyranny and oppression, and choosing the right path, regardless of personal cost, for 75 years. He’s the good guy, with no hints at all to his character to the contrary. Many fans believe this is just a publicity stunt, shock for shock value alone, and I agree.
With his rise in popularity due to two wonderful films in the MCU, I can imagine that there was a meeting in which execs and writers came up with a few “what if” scenarios, but as a fellow writer, I can attest to the fact that not all ideas are good ones. I can’t fault a writer for wanting to take a risk, especially with a character of Cap’s reputation, but taking a character with such a strong moral code and turning that on its head without any warning is just feeding into the mentality that the only way to be relevant is to be shocking.
We, as a people, continually exposed to all manner of craziness via the internet and the rise in dramatic, stunning television, I think, are the reasons behind such bold moves. In order to be noticed, we’ve resorted to becoming the one-uppers. Shows like Game of Thrones, The Walking Dead, and American Horror Story, among others, have risen the bar in the way of surprising their audience, and I thank them for it, but at the same time wonder if it’s not hurting us as well, overall.
We now expect so much more from all our media-going experiences, and this is forcing writers to do the unexpected often without reason. A scene like the Red Wedding in Game of Thrones had a great deal of build up. It wasn’t an out of left field surprise, although yes, it was upsetting. The stage was set, long before we arrived, with bread crumbs left along the way that led us to such an inevitable conclusion.
This is something as writers we need to be aware of. We can’t throw in a shocking twist just because – there has to be a reason, motivation, there has to have been set up. Audiences want to be satisfied, they also want to feel clever, and this is done by offering them morsels and insights they can piece together before the big surprise.
This offers us, as writers, a great challenge to think about the nuances needed to tell our story more effectively. If we look at the big picture, how can we impress upon our audience what is to come with a little foreshadowing? Is there a metaphor that could highlight the impending dilemma? Is there a phrase said by a character early on that offers such insight? Think of social media and how people dig into their favorite scenes, stories, characters, etc. to find more depth and hidden meaning (I have discovered a number of memes and the like showcasing foreshadowing I missed myself) and think of how happy it will make our audience if we can offer that to them.
I found this writing tip via Helping Writers Become Authors that offers the good and bad reasons to kill a character, but I think it can be utilized in regards to any plot device.
Let us not short change our audience. Let us give them the surprises they deserve; those that mean more because we cared enough to think our story through, and not just another tactic or ploy meant to incite emotion or a reaction. Let us also not short change our work or our characters. Be true to them. They deserve no less…and so does Cap.
Happy Writing!
So there we were, imagining all the people who would fill these roles, when I started to laugh. What if the powers-that-be decide they want Jennifer Lawrence for the lead when I envision Rosamund Pike. Huge difference. This would in turn change the whole perspective of the film. It goes from adult to YA.
ou need the snark of Tom Hiddleston’s Loki with the looks of a Joe Manganiello or Jason Momoa.
I once jumped without a parachute, figuratively not literally. When The Sis and I moved to Los Angeles, I worked for a restaurant chain that allowed me to have a job upon arrival and to change locations with each subsequent move around the city. Unfortunately, with each move, the money worsened until at a total loss, I up and quit, feeling there had to be something better on the horizon. It was LA after all.
Besides the mind numbing effect of the work, I don’t make enough money to support The Sis which is why we decided to move back to Vegas in the first place, so that she could go back to school. I don’t write my own things when I get home because I’ve stared at a computer for 8 hours writing nonsense. Sorry blog. I’m usually brain dead, and to top it all off, I think I’ve gained weight because I sit around all day. Sheesh.
The last couple of weeks, the impending doom surrounding my birthday has caused random outbursts of emotion. I’ve had some bad birthdays, but this one is different. I was in a home store, looking at the various items that could be useful in the new place; new towels, area rugs, side tables, etc. when I started to well up. It’s frustrating to feel sort of stuck; always hoping and striving for more. I keep banking on this elusive future that I can’t wait to happen, and yet with each passing day I don’t feel any closer. I got a job I was hoping would be something I could be proud of in the meantime, I’m writing every day, but we write rubbish and I don’t even make enough money to make it worthwhile.
A Writer's Discrepant Memoirs and Other Tales 